Glossary

Word of the Day!

fugitive colors


Short-lived pigments and dyes-- capable of fading or changing, especially with exposure to light, to atmospheric pollution, or when mixed with certain substances; in each case the result of a chemical change. Examples are the colors in magazine photographs and inexpensive construction papers, especially the yellows, and then reds. While student works are generally forgiven the use of such inexpensive poor-quality pigments, professional artists' works are expected to be made with permanent colors. Tubes and other containers of paint are sometimes labeled with a code indicating a color's degree of permanence.


jade

YĆ¼ in Chinese, is a general term for numerous semiprecious gemstones, including nephrite (also called greenstone) and jadeite (a member of the tremolite-actinolite family of minerals), obtained as a pebble or boulder in greens and white, along with agate, onyx, serpentine, amber, and lapis lazuli. Extremely hard, it is worked with abrasives to form sculpture and ornaments, usually small in size, especially in China. During the Neolithic period primitive people almost universally used stone tools and carved decorative objects of jade-like stone. Only the Chinese, however, developed a long tradition of jade work. Other peoples stopped using the material after the Stone Age. Since Jade cannot be cut by metal, the carving process has mainly been that of abrasion. The original tools were probably slabs of sandstone and wetted abrasive sands made from crushed quartz, garnet, and corundum. Refinements in cutting, carving, drilling, and polishing techniques were developed gradually over time. Since jade working has always been laborious, requiring tremendous skill, jade objects were used for ceremonial, burial, court status, and other decorative purposes. They were rarely used as utilitarian objects.

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Japonisme

In the late 19th century, European artists had their first glimpse at Japanese woodblock prints, provoking paintings that demonstrate a heavy influence of Japanese art on painters in Europe.

Example: Henri de Toulouse-Lautrec's At the Moulin Rouge, 1892-1895

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jolleying

Shaping a thin layer of clay over a revolving plaster mould with a shaped template or profile.

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